DAVID FINCHER
American
film director, music and tv
producer best known for directicing
psychological thrillers such as Seven (1995) Fight Club (1999) and The Girl
with the Dragon Tattoo and now Gone Girl (2014).
In
an interview he spoke about the challenges of directing the film, ‘The
Challenge was the tone of the movie’ describing it as a ‘Bizarre Journey’ as it
starts of as a mystery it suddenly transforms to an absurdest thriller and ends
as a satire.
Fincher
usually creates movies with a plot twist but the challenging was to try to get
all of the actors on the same page and the same pitch. Fincher admitted that it
500 hours shot of material within 100 days, 500 hours is excessive but he did
it because he wanted his actors to fully connect with their characters. Fincher
usually works with a variate of
actors whilst directors tend to stay with same or similar casts he says it
creates an ‘Alienation’ a
room to experiment new things with a new actor and that he believes the
actors he finds are destined to be that character or they have some sort of
connection such as Rosamund
Pike, he had been looking at her works but never worked with her, but talking
to her he found that her life paralleled with Amy Dunne, such as being the only
and having a side that the actress does to show to people he said, ‘She will
endure all of her dignity’. The key to creating a successful film is that he
does not ‘Make films on the spite of who are making them , I make them for the
people who finance
The audience are immediately informed of the two main protagonists and their significance in the films plot. Because they are the first two characters the audience are introduced to. In the beginning a shot of Rosamund Pike's character Amy Elliot Dunne is shown in a close up with the camera at a high angle and her looking up. This results in her character being the main focus emphasizing her importance and meaning within the plot. Her facial expression looked very neutral which led to no suspicion as it was shown in the opening scene however as the film developed and we learn more about her character the scene in shown again in the end which makes the audience gain a more in depth understanding of that particular moment and realize her neutral facial expression is quite alarming and nerve racking. In terms of her clothing we couldn't really see what she was wearing as the her body shoulders down was out of focus only her face and shoulders were mainly in focus this could suggest the intimacy between her and her husband. Moreover, Ben Affleck's character Nick Dunne is stood on a porch outside of his house for quite a while, which shows the distance between himself and Pike's character. This may imply that there is already friction between the married couple. He looks effortless as he only seems to be wearing lightly coloured clothes such as; a white t-shirt and trousers. This could connote the idea of naivety and innocence. His body language also suggests his fatigue and desperation for change.
The opening scene takes place in the early hours of the morning, right before dawn. The dark tones and dull lighting puts emphasis on a very moody atmosphere. The shots of the titles look quite dark creating a cold and sombre visual. Furthermore, During this time of day people are usually asleep or just waking up which suggests that nothing suspicious usually occurs during this time period as the atmosphere is calm and relaxed. The lighting is low key because of the time of day. The low key lighting could be a metaphor in relation to the characters thoughts, feelings and actions. In the beginning their lives are quite dull and strategic then it develops into hatred and separation because a terrible event is about to occur that will 'awaken them' which compares to the idea of dawn. The use of dark and shadowy shots creates mystery which intrigues the audience and metaphorically shows relation to the plot.
There are many key aspects of mise en scene which elaborates and aids in creating a tense atmosphere for the audience.
ACTORS
LOCATIONS
The majority of shots taken show the particular town the couple live in and the different locations Amy ends up in. The buildings in the town look quite old which suggests that its quite a traditional town. For example 'the bar' which doesn't have many costumers if so they're old, the home of Nick Dunne's ailing father, the courthouse which is a landmark in the area and has stood since 1854 etc. In contrast, the houses such as Nick and Amy's looks very modern. In addition to this the opening titles are shown when the scenes are outdoors which helps introduce the audience to the town where the film is set. As the film begins establishing location shots appear and last for a very short amount of time. This suggests the many clues the film may have to offer. Furthermore, the credits are positioned on top of the visuals. The credits are displayed in the beginning which informs the audience of the actors, producers and the director involved with the making of the film. During the beginning of the film Nick Dunne is already established as the male protagonist when there is an elongated shot showing him in the midst of self company in front of his house maybe reminiscing his past. The film uses cross cutting to differentiate the scenes and show the on going investigation for missing Amy to Amy's disguises and current whereabouts .
LIGHTING
SOUND
The non diegetic music used throughout the beginning accompanies the visual aspects. Making the opening to the film much more eerie and tense. The sound usually became intense, louder and quicker to suggest the build up of the scene and the characters actions. For instance, when Amy was about to kill her high school admirer. The volume of the sound increased and was repetitive to make the audience feel uncomfortable and shocked as it wasn't expected. The sounds of grasping, screaming and blood squirting was intensified which makes the audience feel no sympathy for Amy Dunn's character as she brutally murdered her lover.
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